Without question, one of the most involving positions on a production
staff is the Props Coordinator. The need for props is on going and includes finding suitable substitute props for rehearsals, finding set
dressings and most important, final props to be used in the s how.
It
takes considerable concentration to keep up with the changes to the prop
list as the show develops, with keeping the props in their place during the
show, with repairing or replacing broken props and remembering where you may
have seen one of those before.
All
and all, it is possible to do a show without props, but then it should
probably be done in the dark, or at least on the radio. |
